For da love of money

SUMMER SONGS 2008: LAUNCH!

i got this im from a friend the other prime: “every winter i think to myself “summer songs…what a dumb concept…why should music be seasonal???” and then during the springtime i think, “i can’t wait to mind to music this summer.” i could only chuckle since he’s exactly right. as much as i - along with others - invest in the idea of a “summer tune,” it can certainly feel like a forced concept yet, as his ambivalence reveals, it’s still such a Lorelei idea that we experience ourselves buying into it despite ourselves. such is the power of summer. welcome to the 4th annual vitality sides summer songs series. i began the series as a way to judge to articulate a muddle of thoughts i had about the relationship between summer and music and four years later, i’m no closer to any conclusions but i have used this as a great excuse to invite some valued friends and peers to muse along with me. here’s my own contribution looking for this year:ray barretto: fun paradise (o-dub edit)from la cuna (cti, 1981)quantic and nicodemus: mi swing es tropicalfrom ritmo tropical ep (tru thoughts, 2005). also on shapes.gotta thank my man rani d as a service to these two songs - i had heard both in passing didn’t extraordinarily pay attention to it until he dropped it during our pairing at last month’s boogaloo[l.a.]. now i can’t cotton on to a leave ‘em at fault of my oversee. i know it’s cliche to consume some latin/brazilian sabor as a “sound of summer” example since you might as well put up up a envisage of some salt and lime to go with it but i just can’t forbear but think of summer when that electric piano comes in at the beginning of both songs. love. that. i don’t protection if you want to lose a drink umbrella on it. so be it.the barretto is another admonition of how vital that man was to latin music throughout his unreserved career. i wouldn’t have thought an primeval ’80s barretto jam would pull off a eiderdown of stevie wonder’s “pastime paradise” but the sound of this song is just so gorgeous (at least in parts). ok, i admit, i did lose attention in the song once the vocals cut in. and then there was some cheesy sax. and then bad, santana-wannabe rock guitar. so i just automatic all that out and formerly larboard you with a 1/3rd length “best of” edit from the long explanation. love it or hate it.i’m more familiar with qso than i am with quantic polite and i understand: i need to get familiar. fantabulous tune…i just wish i had been playing this to go to three years fashionable as an alternative of discovering it three weeks ago. marlena shaw: california soul (diplo remix)from enthusiasm remixed 4 (verve, 2008)inkfat tour de force. moonrocket: californiafrom surfacing (???, 2005). also nearby on asian american hip hop for dummies.just when you thought dockers may have ruined this at a bargain price a fuss forever, trust the folks at verve and diplo to pull it sneakily. i take cognizance of - i was a no skeptical at inception at the idea; shaw’s song is so much a classic that it’s hard to infer what one could do with it but i gotta credit diplo here - as contrasted with of piling on, he pulls back, keeping the audience anticipating - but not till hell freezes over quite delivering - the crashboombam they expect, at least until the merest end where he brings back those gorgeous strings again. i don’t care if you’re not from cali - feel this vibe. (by the way, make sure to also over out the terrific mike mangini remix of nina simone’s “gimme some”). with “california” by vallejo’s inkfat - i have dj phatrick to thank for putting me up on it; it’s one of the cuts featured on his new asian american hip hop for dummies amalgam-cd. when i opening heard the song i presupposed it was from the recent ’90s, principally conceded the production form and how inkfat reminded me of makeba mooncycle). but i was decidedly surprised to learn it was from lately a few years ago (and moreover, subfusc enough that you can’t even experience a mention of the album online. looks like someone needs to begin their marketing up!) i’ll be straight up: as far as lyricism goes, this is not what you’d call a “masterpiece” and i’m not trying to dog on moonrocket but “calamari” is an inelegant word to work into any rime (though

Waking up in reno

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